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Warp into Geekscape:
​Jonathan London

Written by Ahdenae Khodaverdian
​Photos by Johnathon Harter

“Get lunch and make fun of me 'til I get there!"

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 There’s a pregnant pause as my photographer and I stare down at this Facebook notification on my phone. A few minutes ago, the two of us were fussing, a bundle of nerves as we waited for our first interviewee of the semester, creator of Geekscape, Jonathan London, to arrive. Instead of fidgeting, I now let out a snort to break the silence. What a relief! I suppose it might be because I’m still a college student, prone to moments of mess-ups myself, but I’m glad Mr. London was late to our meeting.

Mr. London started his journey with radio in college, where he studied it with the goal that he would be on radio, then TV, then in late night. He, “wanted to make jokes late at night on television.” Midway through his college career, he started making short films with his friend Kevin for Kevin’s foreign language classes. Through his “foreign films” and terrible phonetic pronunciations in his acting, Mr. London was inspired to go into film school. Although he loved film and still creates films today, he, “…missed the intimacy of having [his] voice reach people.” Around this time, podcasting came into light, and Geekscape was created as an extension of his love for radio. Today, Geekscape is home to a plethora of different podcasts, a growing, supportive community, and has featured esteemed guests such as the late Stan Lee.  Now it was my time to interview a professional interviewer.

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What exactly is Geekscape?

“Geekscape is a podcast that turned into a podcast community. As a filmmaker, I said I would start putting out content that’s regular. The podcast seemed like the easiest thing to do week-in and week-out. From there, we built a community, and from there, we built more podcasts. People in the community started wanting to do podcasts, and now we are a podcast network and a geek community. We use that sometimes to do things like produce movies, publish content, put on events.
​

I know that seems like a pretty disorganized statement, but it’s just a celebration. I look up and I see Geekscapists getting married, and I see Geekscapists helping each other out online, and I see Geekscapists communicating and being part of each other’s lives, and having kids, and they’re getting tattoos. That’s what I think I’m the proudest of - that they’re all interacting, and they have a place to go. That’s what Geekscape is.”

"They’re all interacting and they have a place to go. That’s what Geekscape is.”
​

What inspired Geekscape to be geek-centered?

“My first job was at a comic book store and I’ve always been a comic book fan. I grew up with all those characters in movies, video games, and comics, so that’s what I covered. But when you listen to the show now, I’m talking to a lot of people who make that stuff and we’re talking about making it. We’re talking about the internal pieces that lead them to do it, not so much,“What do you think of ____.” I don’t think that’s very interesting.
 
I sat down with a nerdcore rapper [recently] named Mega Ran. He named his MC character after Mega Man. A million people have asked him what his favorite Mega Man character is. It’s not interesting. What I’m interested in is why he does nerd hip-hop in the first place. What is this genre? Why does he feel he needs to do this? What drives him?

Geekscape today isn’t so much about reviews. It’s more about talking to storytellers and finding out why they tell stories because, as a storyteller myself, I have to know. Why are we doing this? Because it’s hard. It’s not following a book, and it’s not following a formula, it’s none of that. It’s creating something where nothing existed, and it takes a lot of… Sometimes courage, sometimes naivety to do it. But we don’t really have a choice and we’re possessed by it. I, for myself, am creating a support network of artists, and I love talking to them and seeing what makes them tick. It inspires me. That’s what the podcast is today.”
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"A million people have asked him what his favorite Mega Man character is. It’s not interesting."


​At this point, we took a pause in the interview to eat our lunch. My photographer happily began to geek out with Jonathan about the Marvel universe, to which I grinned, nodded, and laughed where I hoped was appropriate; in reality, I was preoccupied with racking my brain to pluck out any piece of Marvel-related information I could. I admittedly don’t know much about anything related to superheroes. I watched an Avengers movie once, right? … Avengers is Marvel, right?
 
To my surprise, I didn’t need to pretend like I knew what was going on for long. Jonathan shifted the conversation to asking us about ourselves and our studies. We told him all about our current positions and the stories of how we became creatives and what we plan to accomplish. In the back of my mind, a vague recognition pinged as I realized that this is likely what his interviewees on his podcast feel like. We were an hour into meeting the man for the first time and we were telling him our life stories. He has a way of connecting with creatives, even ones who are completely out of the realm of comics, such as myself. It might be because of his experience in interviewing, but I think it stems from his genuine interest in others. We pick up the interview again after a few slices of pizza.
​
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How do you differentiate your content from the content of your “competitors”?

“You have to just stick to the thing that nobody can steal, which is your own sincerity. The closer you get to your truth, the more likely you’re going to make something that connects to another human being and something that somebody else can’t copy. It just can’t be repeated.
 
That’s the scariest thing about the gig, though, is the level of vulnerability and exposure. A lot of artists don’t want to go there. They just want film, or TV, or video games, or books to act like an assembly line. They just want the thing that works to come back out again. The risk mitigating is really easy to do because you just have to do what worked before. You get the Hunger Games, and then right after the Hunger Games you get a million other similar young adult novels. But every single time you get diminishing returns on this thing because everything seems like a copy of the thing that came before. You just need to scream your own specific uniqueness as loud as possible, knowing that somebody else can’t reproduce it. It’s as sincere as possible.
Even though you’re making something for yourself, it’s your greatest chance at someone else relating to it, which doesn’t feel like it makes a lot of sense. It feels like the equation should be to cast as wide a net as you can to catch as many people as possible, but that’s not really how art works. Art is more like a spear because it goes deeper than that. A net’s not really going to work. That’s a great way to become generic and insincere. I try not to worry about the form, I just worry about the function and the function should have some level of expression so that other people are touched by it.

"Art is more like a spear because it goes deeper than that.
​A net’s not really going to work."

I also bounce the ideas off of a lot of people. I like to go running with my friends and I tell them my stories, and at the end I see where they got bored, and where they got excited, and what they responded to, and I write it all down. I do test the stuff out with my stories a lot. With Geekscape, it’s a test of whether I can stay connected to somebody else.
 
I did an episode about two months ago with a complete stranger who I had only heard about, but he’s pretty shy. He’s a musician named MC Chris and he keeps to himself. I had to talk to him through his assistant. Any correspondence had to go through his assistant. So, when I finally met him for the first time and we pressed record, for about ten minutes, you hear it in the podcast, we’re just feeling each other out. By the end of it, he’s admitting things that a lot of people said that he never admitted to before. I just had sincere interest in what this person had been through and what lead him to create music. Not only music but if you go to any of his concerts, it’s like a big celebration. He has these giant parties that happen to have music in them. Why create that atmosphere? Why have that level of altruism for other people? I was very interested because it’s something that I see for Geekscape and something that I see for myself.
 
The scariest thing you can do is be yourself and that’s the thing that’s going to work. And no one can copy it…” ​


What is the most important piece of advice you can offer those who want to start their own podcasts?

Be honest. Be painfully open and honest.
 
It’s the hardest thing to do, and for years I only talked about other people’s accomplishments, other people’s movies, other people’s video games, other people’s things, and it was easy. It was easy to have an opinion about others, but I lost a lot of connection in that, and I don’t think it’s fun either. I don’t think you grow any from only exploring outside. Even now, I won’t listen to a podcast that’s a review podcast, it feels too much like sport’s radio, which has the nickname of being losers talking about winners. It’s not nice, but at the end of the day, I don’t want to be watching the game, I want to be in the game. I want to be talking to other people who are in the game.

​
My biggest advice would be to find out what you’re about, find out what you can easily replicate every week, twice per week. What is the one thing that you think is really easy that other people think is hard? What are the things that you have a veracious appetite for that other people don’t? And that’s where you find something to celebrate. That’s where you develop an authority on something, and once you are, you’ll find an audience. I think that’s great advice for anyone starting any kind of business, which is what we’re doing when we start these things.
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"Just because you’re passionate about something, and you ultimately become an authority on something, doesn't make it yours."

The three most important things are to educate, entertain, and inspire. Entertaining is great, it’s fun, it’s pretty easy to do. Educating? Know your stuff, research it. Inspiring? That means being vulnerable and sincere. Telling a story means being honest, and letting other people know it’s ok to be themselves too and celebrating other people. And if we’re geeks and we’re not doing that, then we’re really bad geeks. And there are some bad geeks out there. There are geeks who don’t think women should be playing video games, that think comics are for boys, there are geeks who are against transgender people in Star Wars, there are geeks who say, “I was different, and I found a place a comfort in these stories, but you’re different and you’re not allowed.” So, they’re probably the most anti-geek thing.
 
I know that I was pretty alone going through middle school and high school, and I only had video games and comics and my small group of friends to get me through. They were pretty important to me. But if I grow up, and I don’t allow someone else to enjoy those things, then I’m just an asshole. So, don’t be a jerk. Just because you’re passionate about something, and you ultimately become an authority on something, doesn't make it yours. It’s ok for other people to enjoy that thing.
 
We have a saying at Geekscape: "Don’t hate, create.’" All the energy that we see online, and in society right now, that’s telling people what they’re doing and what they’re thinking is wrong can really be pointed towards making something. Take all that energy, don’t be a jerk, don’t be a coward, and go make something.”


​"Take all that energy, don’t be a jerk, don’t be a coward, and go make something.”
​

Feeling creatively charged, my photographer and I left the interview in high spirits. High enough that I let him poke fun at my lack of superhero knowledge. But only a little.

What Mr. London shared with us about his fascination with the "Why?" behind stories is something that will always stick with me. Sometimes life gets so overrun with assignments and due dates and stress that one might want to scream :"Who cares why! Just get the project done!" But it truly is our job as artists to always be looking for reason, and to integrate our findings into our own artwork and stories. I'll be keeping Mr. London's words of wisdom at the forefront of my own creative endeavors. And if you have the chance, take a moment to tune into Mr. London's podcast and warp into the Geekscape.
​
To get involved with the Geekscape community, visit http://www.geekscape.net/.

Photos taken in The Perky Nerd
1606 W Magnolia Blvd
Burbank, CA 91506
http://www.theperkynerd.com/



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  • Features
  • About Us
  • Videos
  • Archive
  • The Secret success of Elmer Street
  • Flying High From Below: LA's Fernando Martin
  • Lip Candy
  • Wafa Jaffal & her journey in Post Production!
  • Guide to making a delicious arepas for your meal by Adolfo Can
  • Waterworld
  • Khanh's Kitchen
  • From Las Vegas to LA
  • Lighting the World Around Us: An Interview with Angela Gundelfinger
  • Eating Disorder Healthcare: Mishna Erana Hernandez
  • Take a Hike
  • The Next Big Name in Hollywood: Emily Ann Franco
  • El Cariso
  • Meet Our New Staff!
  • Meet Carlos Chavez!
  • Meet Nicole Favors
  • Meet David Petrosyan
  • Meet Brittney Strong
  • Meet Kaci Theros
  • Meet Katrina Molle
  • Hopping into the year of the Rabbit: Alhambra’s Lunar New Year Celebration
  • 2023 Solar Decathlon
  • Depop: A Circular Fashion Community